Rhythmic Research > Eigenrhythms > 6. References
6. REFERENCES
[1] A. Berenzweig, D. P. W. Ellis, and S. Lawrence. An-chor space for classification and similarity measure-ment of music. In ICME 2003, 2003.
[2] A. Berenzweig, B. Logan, D. P. Ellis, and B. Whitman. A large scale evalutation of acoustic and subjective music similarity measures. In Proc. Int. Conf. on Music Info. Retrieval ISMIR-03, 2003.
[3] R. Duda, P. Hart, and D. Stork. Pattern Classification. Wiley-Interscience, New York, 2001. 2nd ed.
[4] D. Ellis, B. Whitman, A. Berenzweig, and S. Lawrence. The quest for ground truth in musical artist similarity. In Proc. Int. Symposium on Music Inform. Retriev. (ISMIR), pages 170-177, 2002.
[5] M. Goto and Y. Muraoka. A beat tracking system for acoustic signals of music. In ACM Multimedia, pages 365-372, 1994.
[6] F. Gouyon, S. Dixon, E. Pampalk, and G. Widmer. Evaluating rhythmic descriptors for musical genre classification. In Proc. 25th Intl. AES Conf., London, 2004.
[7] A. Hyv¨ arinen and E. Oja. Independent component analysis: Algorithms and applications. Neural Networks, 13(4-5):411-430, 2000.
[8] F. Kurth. Matlab-MIDI tools, 2004. http://www-mmdb.iai.uni-bonn.de/ download/matlabMIDItools/.
[9] J. Laroche. Estimating tempo, swing and beat loca-tions in audio recordings. In Proceedings of the 2001 IEEE Workshop on Applications of Signal Process-ing to Audio and Acoustics, Mohonk NY, 2001.
[10] D. D. Lee and H. S. Seung. Learning the parts of objects by non-negative matrix factorization. Nature, 401:788-791, 1999.
[11] J. Paulus and A. Klapuri. Measuring the similarity of rhythmic patterns. In Proc. ISMIR 02, Paris, 2002.
[12] E. D. Scheirer. Tempo and beat analysis of acoustic musical signals. J. Acoust. Soc. Am., 103:1:588-601, 1998.
[13] A. Sheh and D. P. Ellis. Chord segmentation and recognition using emtrained hidden markov models. In Proc. Int. Conf. on Music Info. Retrieval ISMIR-03, 2003.
[14] P. Smaragdis and J. C. Brown. Non-negative matrix factorization for polyphonic music transcription. In Proc. IEEE Workshop on Apps. of Sig. Proc. to Acous. and Audio, Mohonk NY, 2003.
[15] R. J. Turetsky and D. P. Ellis. Ground-truth transcriptions of real music from force-aligned midi syn-theses. In Proc. Int. Conf. on Music Info. Retrieval ISMIR 03, 2003.
[16] G. Tzanetakis, G. Essl, and P. Cook. Automatic musical genre classification of audio signals. In Proc. ISMIR-01, Bloomington IN, 2001.
[17] A. Zils, F. Pachet, O. Delerue, and F. Gouyon. Automatic extraction of drum tracks from polyphonic music signals. In Proc. WEDELMUSIC 02, December 2002.
6.1 Acknowledgement
This work was supported in part by the NSF under grant no. IIS-0238301, and by a grant from Google. Any opin-ions, findings and conclusions or recommendations expressed in this material are those of the authors and do not necessarily reflect the views of the sponsors.
6.2 Publications & Presentations
The Eigenrhthm paper will be part of the ISMIR 2004 conference. Dan Ellis will be presenting. More Info
Eigenrhythms
Eigensynth: Derivative Beat Box
[ more info ]
Phase Vocoder
[ more info ]
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